The Celtic Path
There are several elements of Belief and practice required to follow a Celtic Path:
First is a belief in and reverence for Celtic deities.
Second, is a connection with your ancestors and spirits of the OtherWorld.
Ancestor worship and reverence for spirits of the OtherWorld occurs in most Pagan
cultures. There is a general love and reverence for the earth and its creatures.
This deep appreciation of nature is revealed in early Celtic nature poetry from Ireland
and Wales.
Third, Celtic poetry is intrinsic to the structure of magick. It is the fire in
the soul, and speaks of power in its descriptions and its focus. This sort of poetry,
churns your guts. In addition to the idea of poetry as magick, there is a
respect for poetry as a social form; it offers praise to those who are worthy, and satire
and scorn for those who are not. Celtic Pagans must be poets.
Fourth, a connection with the past. The Celts had a reverence for history, and that
reverence is a part of the Celtic spirit. For some, this connection comes through
physical ancestry. For others, it comes through study of history. Some people get it
through connecting with the feeling of the myths. Other folks get it in other ways. We all
recognize that something from the past is speaking to us strongly, but we disagree about
the methods of judging its veracity and usefulness.
Fifth, a sense of early Celtic cosmology; doing things in terms of three realms rather
than the classical Greek four elements, using Celtic symbols like triskeles and spirals
rather than pentagrams, celebrating Celtic holidays rather than (or more deeply than) the
holidays of other religions, threes and nines as ritually important, use of a
sacred/cosmic tree and well combination. Much of this cosmology has had to be
painstakingly reconstructed from fragmentary hints, and it goes back again to the argument
that historical research is important to learning about and preserving the Celtic spirit.
Sixth, inclusiveness. We can't rely on genealogy or geography to determine who is
Celtic. The historical Celts roamed all over Europe, and lands beyond. Anyone worthy might
be taken into the tribe through marriage or adoption. The Celts are roaming still, moving
to America, Australia, and other widely diverse lands. And they're still taking people in
through marriage and adoption.
Seventh, respect for women was a definite part of the Celtic spirit. While Celtic women
didn't have it perfect, they were far better off than their Greek and Roman counterparts.
Likewise, respect for and acceptance of gays and lesbians seems important. There is
certainly text evidence for men loving men in early Celtic society. Women were not as
often written about, but I think it is safe to assume that women had similar choices open
to them.
Eighth, an appreciation of the complex and intricate. This is found in Celtic art, law,
myth and poetry. The classical historians noted that the Celts spoke in riddles and loved
to obfuscate. Wordplay and veiled reference were common.
Ninth, personal responsibility and a deep sense of self are a part of the Celtic
spirit. Boasting and personal pride are evident in every Celtic tale. Sometimes it went
overboard, so of course, like some other things (head hunting, etc), we have to be careful
not to get too deeply into it. I think that some of us do act on this Celtic instinct, and
that's why we often have heated debate on this list. So long as it doesn't get out of
hand, I find it encouraging and a growth-oriented activity. Spirited argument was a part
of the poet's duty, and was one of the ways in which the younger poets learned from the
older. Along with this, I would say that the Celtic spirit includes a strong sense of
ethics about what is right and what is wrong. The Celts were not an "anything
goes" kind of people. They had a very complex body of laws governing what was
appropriate and what was not. Celtic Pagans need both a strong sense of personal
responsibility and a code of personal and social ethics in order to carry the Celtic
spirit forward.
BOOKS
Here is a Celtic
reading list which contains some of the most important books on the Celts and Celtic
topics. These are the best introductory texts available. Many of these books can be found
in different editions. The copyright dates shown here are for specific editions that I own
or have read.
The Celts certainly have some colorful
mythology. As they encountered, conquered, and were subjugated by other cultures, they
found parallels between their stories and the stories of other peoples. Rather than
accepting one mythology and discarding the other, the Celts had a habit of intertwining
the two to produce a hybrid mythology that survives today in the folk tales and songs of
the British Isles.
- Celtic Myths and Legends by Charles Squire, Newcastle Publishing (1975)
Similar to....
- Rolleston Celtic Mythology by Pronsias MacCana, Newness Books
Includes comparisons with the Gaulish pantheon
- Celtic Mythology & Religionby Alex MacBain (1917) Stirling
- Myths and Legends of the Celtic Race by T.W. Rolleston, 1917
Mr. Rolleston does not tell the stories of the ancient Celts; rather he tells about them.
The stories are presented in capsulized form.
- Celtic Fairy Tales by Joseph Jacobs, 1994
This is sort of a Grimm's Fairy Tales for Celtic countries.
- Dictionary of Celtic Mythology by Peter Berresford Ellis, 1992
This book's strength is that you can look up any reference to a Celtic place or person and
get a concise description.
GENERAL
- Carmina Gadelica by Alexander Carmichael, 6 vols, Reprinted by Scottish
Academic Press (1972?)
Rites & customs of the isles & Highlands. Excellent collection.
- The Celts by Nora Chadwick, Penguin
- The Celts by T.G.E. Powell, 1958, Thames & Hudson
- Celtic Bards, Chiefs & Kingsby George Borrow, 1928, London
- The Celtic Empire by Peter Berresford Ellis, 1990, London

- Celtic Heritage by A & B Rees,1961, Thames & Hudson
Highly Recommended
- Celtic Ireland by Eoin MacNeill, 1921, Dublin
- A Celtic Miscellany, 1971, Penguin
An anthology of Celtic poetry & prose
- Celtic Mysteries by John Sharkey, Thames & Hudson
- The Celtic Realms by Miles Dillon & Nora Chadwick, 1967, London
Any of their works recommended.
- Celtic Wonder Tales by Ella Young, Floris Books, Edinburgh
- Every Day Life of the Pagan Celts by Anne Ross
- The Fairy Faith in Celtic Countries by W. Y. Evans Wentz, 1977, Reprint
Colin Smythe.
Good study of religion, the sidhe etc. at turn of 20th Century
- Gods and Fighting Men by Lady Gregory, 1979, Colin Smythe
- Gods of the Celts by Miranda Green, 1986, Alan Sutton Publishing
Archaeology based. Very good, comprehensive study.
- The History of the Celtic Language by L. MacLean, 1840, London
- History of the Celtic People by Henri Hubert, 1 vol edition, 1992, Bracken
Books
Includes archaeology, language, migration, tribes, etc.
- The History of the Celtic Place Names of Scotland by W.J. Watson, 1986,
Reprinted Birlinn 1993
Definitive work
- Legends of the Celts by Frank Delaney, 1989, Grafton Books
- Ogham Inscriptions in Ireland, Wales & Scotland by Sir Samuel
Ferguson, 1887, Edinburgh
- The Picts by Isabel Henderson, 1976, Thames & Hudson
- The Problem of the Picts ed. by F.T. Wainwright, 1980, Melven Press
Series of articles on language, dwellings, art etc. Recommended.
- The Religion of the Ancient Celts by J.A. MacCulloch, 1911, Reprinted by
Constable, 1991
- Silva Gadelica by S. O' Grady, 2 vols. (Irish), 1892
Highly Recommended but hard to find
- The Silver Bough by Marion McNeill, 4 vols., 1977, William Maclellan
Folklore & belief, local & national festivals of Scotland.
- Studies in the History of Dalriada by John Bannerman, 1974, Scottish
Academic Press
The definitive work on the Dalriada kingdom
- Traces of the Elder Faiths of Ireland by Wood-Martin, 1902, 2 vols.,
Longmans, Green & Co.
Excellent Folklore. Hard to find.
ART AND KNOTWORK
Throughout their history, the Celts produced
many fine works of art. The hallmark of their work is that every sculpture, tool, vessel,
weapon, or other implement is decorated with intricate and abstract patterns.
- Celtic Knotwork by Iain Bain; 1986
Mr. Bain has produced the very best reference available to artists wishing to reproduce
Celtic knotwork patterns. His father, George, wrote a book that describes construction
techniques of many Celtic patterns, but it is very difficult to work from.
- Celtic Key Patterns by Iain Bain; 1993
In this book, Mr. Bain describes the construction of Key Patterns with the same clarity
and simplicity that makes Celtic Knotwork so valuable.
- Celtic Art: The Methods of Construction by George Bain; 1973
The elder Bain shows how the Celts could have drawn their intricate patterns. He covers
knotwork, spirals, key patterns, lettering, and zoomorphic designs. Though this book has a
wider scope and many more examples than Iain's books, George's methods of construction are
more difficult to follow.
- Celtic Art in Pagan and Christian Times by J. Romilly Allen; 1993
Both Bains rave about Allen's landmark works that describe the nature and significance of
Celtic Art. This book is hard to find, but worth the effort. It shows some methods of
construction, but everything is approached from the point of view of an art historian, not
an artisan.
- Celtic Mandalas by Courtney Davis, 1994.
Mr. Davis is a master of combining Celtic patterns with other imagery to produce evocative
artwork. His illustrations grace many books on Celtic subjects and a Tarot Deck. His books
are filled with great examples that inspire your own creativity and show that the
knotwork, spirals, and key patterns invented by the Celts are still relevant today.
- The Lindisfarne Gospels by Janet Backhouse, 1981
The Lindisfarne Gospels are illuminated manuscripts produced by the monks at the monastery
of Lindisfarne. The intricate artwork is distinctly Celtic, but the gospel texts are
Christian. Ms. Backhouse does a good job of describing how these two cultures came
together to produce the famous manuscript. The illustrations show the fine artwork that
went into the Lindisfarne Gospels.
- The Book of Kells by Sir Edward Sullivan,1986
Sir Sullivan treats the Book of Kells, another illuminated manuscript (produced by the
monks at the monastery at Kells), with the same attention that Ms. Backhouse gives the
Lindisfarne Gospels.
ONLINE
RESOURCES
There are a multitude of sites related to Celtic
art, language, music, and traditions with many more coming online all the time. Some sites
maintain excellent links to the best Celtic web pages.