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Celtic Resources and References

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starThe Celtic Path

There are several elements of Belief and practice required to follow a Celtic Path:

First is a belief in and reverence for Celtic deities.

Second, is a connection with your ancestors and spirits of the OtherWorld.    Ancestor worship and reverence for spirits of the OtherWorld occurs in most Pagan cultures. There is a general love and reverence for the earth and its creatures.   This deep appreciation of nature is revealed in early Celtic nature poetry from Ireland and Wales.

Third, Celtic poetry is intrinsic to the structure of magick.  It is the fire in the soul, and speaks of power in its descriptions and its focus. This sort of poetry,   churns your guts.  In addition to the idea of poetry as magick, there is a respect for poetry as a social form; it offers praise to those who are worthy, and satire and scorn for those who are not.  Celtic Pagans must be poets.

Fourth, a connection with the past. The Celts had a reverence for history, and that reverence is a part of the Celtic spirit.  For some, this connection comes through physical ancestry. For others, it comes through study of history. Some people get it through connecting with the feeling of the myths. Other folks get it in other ways. We all recognize that something from the past is speaking to us strongly, but we disagree about the methods of judging its veracity and usefulness.

Fifth, a sense of early Celtic cosmology; doing things in terms of three realms rather than the classical Greek four elements, using Celtic symbols like triskeles and spirals rather than pentagrams, celebrating Celtic holidays rather than (or more deeply than) the holidays of other religions, threes and nines as ritually important, use of a sacred/cosmic tree and well combination. Much of this cosmology has had to be painstakingly reconstructed from fragmentary hints, and it goes back again to the argument that historical research is important to learning about and preserving the Celtic spirit.

Sixth, inclusiveness.  We can't rely on genealogy or geography to determine who is Celtic. The historical Celts roamed all over Europe, and lands beyond. Anyone worthy might be taken into the tribe through marriage or adoption. The Celts are roaming still, moving to America, Australia, and other widely diverse lands. And they're still taking people in through marriage and adoption.

Seventh, respect for women was a definite part of the Celtic spirit. While Celtic women didn't have it perfect, they were far better off than their Greek and Roman counterparts. Likewise, respect for and acceptance of gays and lesbians seems important. There is certainly text evidence for men loving men in early Celtic society. Women were not as often written about, but I think it is safe to assume that women had similar choices open to them.

Eighth, an appreciation of the complex and intricate. This is found in Celtic art, law, myth and poetry. The classical historians noted that the Celts spoke in riddles and loved to obfuscate. Wordplay and veiled reference were common.

Ninth, personal responsibility and a deep sense of self are a part of the Celtic spirit. Boasting and personal pride are evident in every Celtic tale. Sometimes it went overboard, so of course, like some other things (head hunting, etc), we have to be careful not to get too deeply into it. I think that some of us do act on this Celtic instinct, and that's why we often have heated debate on this list. So long as it doesn't get out of hand, I find it encouraging and a growth-oriented activity. Spirited argument was a part of the poet's duty, and was one of the ways in which the younger poets learned from the older. Along with this, I would say that the Celtic spirit includes a strong sense of ethics about what is right and what is wrong. The Celts were not an "anything goes" kind of people. They had a very complex body of laws governing what was appropriate and what was not. Celtic Pagans need both a strong sense of personal responsibility and a code of personal and social ethics in order to carry the Celtic spirit forward.

starBOOKS

book Here is a Celtic reading list which contains some of the most important books on the Celts and Celtic topics. These are the best introductory texts available. Many of these books can be found in different editions. The copyright dates shown here are for specific editions that I own or have read.

History and Culture | Mythology | General | Art and Knotwork

HISTORY AND CULTURE

The Celts emerged as a distinct group about 2-4000 years ago. Unfortunately, because they did not have a written language as we do, most of the knowledge about their culture comes from archeological finds and speculation derived from folklore, legends and dubious history.

The World of the Celts by Simon James; 1993
This is an outstanding book that covers a multitude of topics. The text is straightforward, and there are ample illustrations.

The Celts: The People Who Came Out of the Darkness by Gerhard Herm; 1976
One of the most important book on the Celts because of it's ideas about Atlantis and Hyperborea. The English translation is difficult to read, but it is an authoritative work.

The Celts (Peoples of the Past series) by Robin Place; 1977
This is a book targeted at young readers (perhaps 8-12 years old) with short text and plenty of pictures. But it serves as an excellent 20-minute introduction to the Celts for adults as well.

Cernunnos MYTHOLOGY

The Celts certainly have some colorful mythology. As they encountered, conquered, and were subjugated by other cultures, they found parallels between their stories and the stories of other peoples. Rather than accepting one mythology and discarding the other, the Celts had a habit of intertwining the two to produce a hybrid mythology that survives today in the folk tales and songs of the British Isles.

  • Celtic Myths and Legends by Charles Squire, Newcastle Publishing (1975)
    Similar to....
  • Rolleston Celtic Mythology by Pronsias MacCana, Newness Books
    Includes comparisons with the Gaulish pantheon
  • Celtic Mythology & Religionby Alex MacBain (1917) Stirling
  • Myths and Legends of the Celtic Race by T.W. Rolleston, 1917
    Mr. Rolleston does not tell the stories of the ancient Celts; rather he tells about them. The stories are presented in capsulized form.
  • Celtic Fairy Tales by Joseph Jacobs, 1994
    This is sort of a Grimm's Fairy Tales for Celtic countries.
  • Dictionary of Celtic Mythology by Peter Berresford Ellis, 1992
    This book's strength is that you can look up any reference to a Celtic place or person and get a concise description.

GENERAL

knotwork ART AND KNOTWORK

Throughout their history, the Celts produced many fine works of art. The hallmark of their work is that every sculpture, tool, vessel, weapon, or other implement is decorated with intricate and abstract patterns.

  • Celtic Knotwork by Iain Bain; 1986
    Mr. Bain has produced the very best reference available to artists wishing to reproduce Celtic knotwork patterns. His father, George, wrote a book that describes construction techniques of many Celtic patterns, but it is very difficult to work from.
  • Celtic Key Patterns by Iain Bain; 1993
    In this book, Mr. Bain describes the construction of Key Patterns with the same clarity and simplicity that makes Celtic Knotwork so valuable.
  • Celtic Art: The Methods of Construction by George Bain; 1973
    The elder Bain shows how the Celts could have drawn their intricate patterns. He covers knotwork, spirals, key patterns, lettering, and zoomorphic designs. Though this book has a wider scope and many more examples than Iain's books, George's methods of construction are more difficult to follow.
  • Celtic Art in Pagan and Christian Times by J. Romilly Allen; 1993
    Both Bains rave about Allen's landmark works that describe the nature and significance of Celtic Art. This book is hard to find, but worth the effort. It shows some methods of construction, but everything is approached from the point of view of an art historian, not an artisan.
  • Celtic Mandalas by Courtney Davis, 1994.
    Mr. Davis is a master of combining Celtic patterns with other imagery to produce evocative artwork. His illustrations grace many books on Celtic subjects and a Tarot Deck. His books are filled with great examples that inspire your own creativity and show that the knotwork, spirals, and key patterns invented by the Celts are still relevant today.
  • The Lindisfarne Gospels by Janet Backhouse, 1981
    The Lindisfarne Gospels are illuminated manuscripts produced by the monks at the monastery of Lindisfarne. The intricate artwork is distinctly Celtic, but the gospel texts are Christian. Ms. Backhouse does a good job of describing how these two cultures came together to produce the famous manuscript. The illustrations show the fine artwork that went into the Lindisfarne Gospels.
  • The Book of Kells by Sir Edward Sullivan,1986
    Sir Sullivan treats the Book of Kells, another illuminated manuscript (produced by the monks at the monastery at Kells), with the same attention that Ms. Backhouse gives the Lindisfarne Gospels.

starONLINE RESOURCES

There are a multitude of sites related to Celtic art, language, music, and traditions with many more coming online all the time. Some sites maintain excellent links to the best Celtic web pages.


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